Forever Godard
Thurdays, September 18 - October 30, 1997

The Forever Godard series was sponsored by Boston Sidewalk.

Thursday, September 18, 1997

New 35mm Print!
Breathless
at 4:15, 7:45
(1959) dir Jean-Luc Godard w/Jean Seberg, Jean-Paul Belmondo

THE groundbreaking film, of the French New Wave, Godard's exuberantly inventive film is a grand romantic essay on cultural conjugality, movie gangsterism and the risk of living on the edge.

New 35mm Print!
My Life to Live
at 6:00, 9:30
(1963) dir Godard w/Anna Karina, Sady Rebbot

Anna Karina plays a woman who turns to prostitution to make ends meet.

"One of the most extraordinary, beautiful, original works of art I know."
- Susan Sontag

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Thursday, September 25, 1997

Alphaville
at 3:45, 7:40
(1965) dir Godard w/Eddie Constantine, Anna Karina

Shot on location at night in Paris, Godard's inspired sci-fi tells of a private eye sent across space to rescue a scientist. Anna Karina is the most radiant of robots.

Band of Outsiders
at 5:40, 9:30
(1964) dir Godard w/Anna Karina, Sami Frey, Clause Brasseur

A reverie on the gangster movie, Godard's trio of daydreamers imagine crime and violence as it would be in a Rimbaud poem, a Kafka novel, or Alice in Wonderland.

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Thursday, October 2, 1997

New 35mm Print!
Masculine-Feminine
at 7:45, 9:45
(1966) dir Godard w/Jean-Pierre Leaud, Chantal Goya, Marlene Jobert

An engaging mix of sex, politics, comedy and nostalgia, this is the story of a journalist who falls for an aspiring rock star in 1960's Paris.

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Thursday, October 9, 1997

Pierrot Le Fou
at 3:45, 7:30
(1965) dir Godard w/Jean-Paul Belmondo, Anna Karina, Sam Fuller

Belmondo helps his old flame Karina search for her missing brother. Godard himself said about this film that he "wanted to tell the story of the last romantic couple." Watching PIERROT LE FOU now is "like visiting another planet. It's an explosion of color, sound, music, passion, violence and wit that illustrates what used to be regarded as cinema." - The Chicago Reader

A Woman is a Woman
at 5:50, 9:30
(1960) dir Godard w/Jean-Paul Belmondo, Anna Karina

An inspired valentine to cinema and his new love, Anna Karina, Godard's film is an homage to and a deconstruction of the Hollywood musical.

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Thursday, October 16, 1997

New 35mm Print!
Weekend
at 4:30, 7:50
(1967) dir Godard w/Mireille Darc, Jean Yanne

An anguished outcry against life's violence and man's cruelty, in this landmark film, society's ills take the shape of a nightmarish weekend traffic jam - an apocalyptic vision of a world self- destructing in a cannibalistic mayhem.

JLG By JLG
at 6:30, 9:50
(1994) dir Jean-Luc Godard w/Godard

Jean-Luc Godard stars in this film as a fictional character of his own creation. JLG muses about his home in Rolle, Switzerland in the dead of winter. He suffers the rude interruption of critics and the cheeky services of a pretty maid while contemplating the end of western culture, cinema and himself. A busy day ... but still with time for tragedy, tennis and television.

"Radiant, cranky, tender, poignant, voluptuous, revelatory. Best Film of 1995." - Amy Taubin, the Village Voice

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Thursday, October 23, 1997

New 35mm Print!
Every Man For Himself
at 7:45, 9:30

(1980) dir Godard w/Isabelle Huppert, Nathalie Baye, Jacques Dutronc
A TV director, his girlfriend, and a young prostitute's lives occasionally intersect. Godard's '80s "come-back" film is constructed like a piece of music: an arrangement of rhythms, motifs, sounds, and images infused with perverse wit, cool eroticism and startling beauty.

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Thursday, October 30, 1997

Hail Mary
at 7:45, 9:45
(1985) dir Godard w/ Myriem Roussel, Thierry Rode

The release of HAIL MARY demonstrated that Godard had lost none of his ability to effectively challenge dogma and generate controversy. This surprisingly serene, sensitive and lyrical work translates the Virgin Birth into tangible, contemporary terms. Mary is a basketball-playing gas-station attendant who receives the Annunciation by jetliner. A richly paradoxical, comic- cosmic meditation on the sacred and the profane, the exalted and the prosaic, and the spirit and the flesh.

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